Energetic, enthusiastic, focused.
2. As a child, I'm sure
you wanted to be something exciting when you grew up. We all did. Have any of
your childhood dreams come true?
When I was five I remember standing in the long grass in our garden
in Nigeria
surrounded by insects whirring thinking, ‘I want to be a zoologist when I grow
up’ - but I was a bit too scared of the bugs to venture any further!
I trained as a zoologist (I
studied chimpanzees for my PhD). All of my books either have animals in – Theory of Mind has chimps, Angel Bird has magpies – or feature the
natural world: in The Naked Name of Love
Joseph travels to Outer Mongolia to find a
rare white lily and debates about evolution.
When I worked as a wildlife TV presenter for the BBC I got to travel
round the British Isles looking at and talking
about animals.
But as for being a proper zoologist, frankly I don’t have the
patience to sit still all day, the fortitude to put up with deprivation, like
no coffee and being a bit cold, and my maths is abysmal.
I always wanted to be a novelist too and luckily I got to do a bit
of book writing as well.
3. What's the difference
between a writer and a hack?
A hack always makes me picture Jeffrey Archer standing at one end of
an attic full of student writers churning out copy in the literary equivalent
of a sweat shop.
Someone who spits out their words rather fast and somewhat
unfeelingly: I think if you produce work too quickly, you lose time for reflection,
editing and crafting. Revising a novel always reminds of the last stage in throwing
a pot, where you smooth and smooth the clay.
4. Should writers (of any
kind) read more fiction or non-fiction?
I read that Alan Titchmarsh doesn’t like reading novels. If it’s
true, it’s pretty astounding. Surely all writers should read?
Whether we’re writing non-fiction or fiction, we all need to do
research, which requires reading factual books.
As for fiction, it can help both novelists and non-fiction writers
hone their craft and see how a good narrative works. Once you’re actually
immersed in writing your novel though, it might be better not to read books in
the same genre in case you either get accused of plagiarism if you
inadvertently pick up ideas and phrases, or become despondent about your own,
as yet, unfinished work.
5. What's your favorite
word, and what can you tell us about it?
I overuse ‘brilliant’ in real life. In my novels, I like ‘riven’. It
can mean coming together or being torn asunder, it’s onomatopoeic and, as I
have synaesthesia, I see the word’s colour as an appropriately marbled mixture
of granite and slate.
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| [I am not synesthetic, but I imagine it must sometimes feel like this. - JMB] Painting by Lee Harvey Roswell |
Dr Sanjida O’Connell is a writer
based in Bristol in the UK . She’s had four works of
non-fiction and four novels published: Theory
of Mind, Angel Bird (by Black
Swan), The Naked Name of Love and Sugar Island
(John Murray).
Connect with Sanjida O'Connell:


















